On a train, Keith and Mick chat about the blues and the Rolling Stones are born. Douglas and Joe chat in front of a New Jersey music store, and a band is born: as Douglas's sister tells us, it's one of many that don't make it. We follow Douglas from high school (1963-64), when he sees himself as a loser, into the band, playing drums and singing backup - then as the front man. There are tensions, a breakup, an audition in front of a major player, and decisions. Douglas pursues Grace, a country-club gal with hip sensibilities who believes in him. There's also his father, working class, wanting Douglas to apply himself as he watches his own life fill with regrets.

Fact-based story about the drug-addled and sordid life of The Rolling Stones founder Brian Jones. Unfortunately the story moves so quickly into the sensationalized decadence and drug-induced state of Jones, that the unknowing viewer has to wonder why anyone would care. There are only a few framing sequences with members of The Stones, particularly Keith Richards, that show they had a great respect for him and tried to bring him back into the band as he drifted away. Mixed into the destruction of Jones is a common builder, Frank Thorogood, who is given the unenviable task of trying to please Jones by rebuilding his estate and to watch him per Jones' manager's instructions. Thorogood's life is so far removed from all of the sex and drugs that he sees, that he envies and desires the tawdry life as well, but never quite fits in. Unfortunately, at least according to this film and according to a supposed death bed confessional of Thorogood in 1993...